Therefore, there is very strong evidence that the fundamental
authority in the fashion industry still rests strongly with Europe,
particularly Milan and Italian designers - evidenced through the
palpable international praise and worshiping of the quality and
superiority of Italian tailoring and "Alta Costura" or "high-end"
Italian designer products. Regardless of the modern phenomena of the
growth of luxury resorts and products being manufactured outside Europe,
such as in Asia and the Middle-East, amazingly, Milan is still the
dominant center of luxury and prestige in the world, supported by its
history and superior quality surpassing the other so-called "centers"
labelled by the media which are based mainly on industry and
advertising, rather than quality and elegance. These trends suggest that
Milanese dominance will continue, as designers from foreign nations
look up to and completely depend on Italian and French maestros and
masters of the art to teach them. There is an increasing need for
excellence and "hyper-luxury", stated in Vogue Australia March 2012, as
seen through Italian and French designer prices climbing even higher in
spite of the recent economic crisis.
For many of the own-label designers who emerged in the early years of the 21st century, financial factors became increasingly critical. Many new young talents found they now depended on investors (to whom, in extreme cases, they would even surrender their names) and were always burdened by the risk that their partners, motivated by market realism and the desire for quick returns, would severely restrict their autonomy.
For many of the own-label designers who emerged in the early years of the 21st century, financial factors became increasingly critical. Many new young talents found they now depended on investors (to whom, in extreme cases, they would even surrender their names) and were always burdened by the risk that their partners, motivated by market realism and the desire for quick returns, would severely restrict their autonomy.
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